However, we can alter each chord like this to sound more “gospel-y”: Erskine Hawkins calls it the Root Movement Hotline because you can think of it as a phone number you want to keep in your back pocket. This chord progression is important to know if you’re interested in playing gospel music. This modal progression creates an anthemic sound, making it perfect for rock songs like “Sweet Child o’ Mine” and the na-na-na section of “Hey Jude.” The Root Movement Hotline Songs that use the modal progression include: You can also think of the progression as a sequence of descending fourths. In C major, that means we “borrow” from F major’s key signature, which gives us that bVII chord. We can think of it as “borrowing” the key signature of the dominant key. This progression is based on the Mixolydian mode.
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